Olen Steinhauer’s New York Times bestselling Milo Weaver series is back with THE LAST TOURIST, full of dark secrets, webs of intrigue, and plenty of suspense. Milo Weaver can’t seem to ever get away from his life of secrets, lies, and spies. Now, in this fourth story, Milo Weaver meets a young CIA analyst, and […]
Olen Steinhauer was recently profiled in Publishers Weekly about his latest novel AN AMERICAN SPY featuring the reluctant, contemporary spy Milo Weaver (preceded by THE TOURIST and THE NEAREST EXIT). The article, "A Literary Spy: Olen Steinhauer," discusses Steinhauer's journey to writing spies and what intrigues him about them. The article reads,
"Steinhauer's remarkable portrayal of the trilogy's Weaver has garnered comparisons with John le Carré. A huge fan of le Carré, Steinhauer calls THINKER, TAILOR, SOLDIER, SPY 'a wholly literary novel.' It seems clear that Steinhauer, in that spirit is trying to marry literary devotion to craft and seriousness with the compelling narratives of genre. A lot of today's spy fiction 'is interested in how spies work,' he says. 'I'm interested in how people deceive each other.'"
Steinhauer also offers some interesting commentary on his writing process. He says,
"I write myself into a corner, then get stuck, then get an idea, then change everything... If it went smoothly, I'd be worried."
Publishers Weekly also gave AN AMERICAN SPY a starred review and said,
"Steinhauer is particularly good at articulating contemporary spy craft—the mechanics of surveillance and intelligence in the digital age and the depth of paranoia endemic to the trade. In addition, his ability to create characters with genuine emotions and conflicts, coupled with an insightful and often poetic writing style, set him apart in the world of espionage fiction."