
Hello e-galley readers! Check out some of the exciting e-galleys that were recently added to Edelweiss for your downloading pleasure:
BAD ASIANS by Lillian Li
9781250363626 | 2/17/26

Diana, Justin, Errol, and Vivian have been told their entire lives that success is guaranteed by following a simple checklist. They worked hard, got A’s, and attended a good university—only to graduate into the Great Recession of 2008. Despite their newly minted degrees, they’re unemployed, stuck again under their parents’ roofs in a hypercompetitive Chinese American community. So when Grace—once the neighborhood golden child, now a Harvard Law School dropout—asks to make a documentary about the crew, they say yes. It’s not like her little movie will ever see the light of day.
But then the video, “Bad Asians,” goes viral on an up-and-coming media platform (YouTube, anyone?). Suddenly, millions of people know them as cruel caricatures, each full of pent-up frustrations with the others. And after a desperate attempt at spin control goes off the rails, they are flung even further off course from the lives they’d always imagined. As the video’s popularity tears them apart, the friends must face harsh truths about themselves and coming of age in the new millennium.
Lillian Li’s novel wryly captures a generation shaped by the rise of the internet and the end of the American dream. An epic tale of friendship and coming of age, BAD ASIANS asks, Can the same people who made you who you are end up keeping you from who you’re meant to be?
CONFRONTING EVIL: ASSESSING THE WORST OF THE WORST by Bill O’Reilly, Josh Hammer
9781250374042 | 9/9/25

The concept of evil is universal, ancient, and ever present today. The biblical book of Genesis clearly defines it when Cain kills his brother Abel out of jealousy. Evil is a choice to make another suffer. As long as human beings have walked, evil has been close by.
CONFRONTING EVIL recounts the deeds of the worst people in history: Genghis Khan. The Roman Emperor Caligula. Henry VIII. The collective evil of the 19th century slave traders and the 20th century robber barons. Stalin. Hitler. Mao. The Ayatollah Khomeini. Putin. The Mexican drug cartels. Collectively, these warlords, tyrants, businessmen, and criminals are directly responsible for the death and misery of hundreds of millions of people.
By telling what they did and why they did it, CONFRONTING EVIL explains the struggle between good and evil—a choice every person in the Judeo-Christian tradition is compelled to make. But many defer. We avoid the life decision. We look away. It’s easier.
Prepare yourself to read the consequences of that inaction. As John Stuart Mill said in his inaugural address to the University of St. Andrews in 1867: “Bad men need nothing more to compass their ends, than that good men should look on and do nothing.”
TRACE ELEMENTS: CONVERSATIONS ON THE PROJECT OF SCIENCE FICTION AND FANTASY by Jo Walton, Ada Palmer
9781250372604 | 3/24/26

Jo Walton and Ada Palmer are two of the most innovative and insightful writers to emerge in the SF and fantasy genres in this century. As writers of fiction they’ve each won multiple awards. As commenters on SF and fantasy in print and in visual media, they’ve both sparked new conversations that expanded our imaginations and understanding of how SF and fantasy work, and what more it could be doing.
Now, in TRACE ELEMENTS, Walton and Palmer have come together to write a book-length and supremely entertaining look at modern science fiction and fantasy, at how our genre is written and how it is read, that will join nonfiction works like Ursula K. Le Guin’s THE LANGUAGE OF THE NIGHT, Samuel R. Delany’s THE JEWEL-HINGED JAW, and UNDERSTANDING COMICS by Scott McCloud on the short shelf of titles essential to all readers of our genre.
Subjects covered include the nature of genre itself, the history of SF publishing, the implicit contract between author and reader, the ways SF and fantasy disguise themselves as one another, what SF&F can learn from outside influences ranging from Shakespeare to Diderot to anime, the role of complicity in reading, the need to expand our “sphere of empathy”, and finally the need for optimism, the importance of rejecting “purity” culture, and the fact that the human story for centuries to come will be composed of hard work.
DEAD FAKE by Vincent Ralph
9781250372123 | 1/20/26

Welcome to Bleak Haven: The town you won’t (or can’t!) leave . . . Deep fake murders have taken over the high school, but what happens when they start to become real?
Would you Swipe to Die?
When the new craze takes over Bleak Haven High, Ava Wilson refuses to join in. As the niece of an infamous murderer, it’s the last thing she needs. The mysterious website allows people to view their own ‘death’—an AI generated version of their final slasher-movie-moments. But, when some of her classmates’ deepfakes are replicated in real life, Ava will either catch the killer . . . or be the next victim.
THE AGE OF CALAMITIES by Senaa Ahmad
9781250378477 | 1/13/26

In this bold and enchanting collection Senaa Ahmad takes license with history and its players, sending the reader on a thrilling ride. In “Let’s Play Dead,” Henry VIII wants Anne Boleyn gone, but there’s a tiny problem—she keeps coming back to life no matter what he does. “Choose Your Own Apocalypse” hurls readers back to 1945, where they assume the role of a technician for the Manhattan Project, surrounded by labyrinthine paths and harrowing outcomes. And “Inside the House of the Historian” invites us to a dinner party turned murder mystery full of figures like Nefertiti, Queen Victoria, John Adams, and Marilyn Monroe. These stories and others entice readers to confront the past, the present, and themselves all at once. Zany and haunting, inviting and brilliant, each poignant tale delves into surreal nature of today through the lens of yesterday, charting the tragicomic yet hopeful act of living.
THE AGE OF CALAMITIES is an evocation of life and death on history’s unsteady margins, of how to reckon with the blunt-force trauma of ill-fated times. Fiercely clever and wildly inventive, this debut establishes Senaa Ahmad as a literary force.
GRACELESS HEART by Isabel Ibañez
9781250376695 | 1/13/26

She was never meant to be seen. Now she’s a weapon the world can’t ignore.
As a sculptress, Ravenna Maffei has always shaped beauty from stone but she has a terrible secret. Desperate to save her brother, she enters a competition hosted by Florence’s most feared immortal family, revealing a dark power in a city where magic is forbidden.
Now a captive in the cutthroat city of Florence, Ravenna is forced into a dangerous task where failure meets certain death at the hands of Saturnino dei Luni, the immortal family’s mesmerizing but merciless heir. But as he draws her closer, Ravenna realizes the true threat lies beyond Florence’s walls.
The Pope’s war against magic is closing in, and Ravenna is no longer just a prisoner but a prize to be claimed. As trusting the wrong person becomes lethal, Ravenna must survive the treacherous line between a pope’s obsession and the seductive immortal who might be the end of her—or surrender her power to a city on the brink of war.
WESTWARD WOMEN by Alice Martin
9781250375308 | 3/10/26

It starts with an itch. In homes across the country, women ages eighteen to thirty-five begin to slow down. Tired. Blank. Restless. Drawn to the Pacific Ocean like it’s calling them home. They abandon their lives—jobs, families, their very selves. And once they reach the West, they vanish forever.
At the center of the story are three young women caught in the pull of something unstoppable. Aimee follows the trail of her missing best friend to a man called the Piper—known for leading infected women West. Teenie, afflicted and unraveling, clings to a single memory as she looks out the window of the Piper’s van. And Eve, a former journalist, is chasing the story that might just consume her.
REVENGE, SERVED ROYAL by Celeste Connally
9781250387394 | 11/11/25

September, 1815. Autumn is in the air as Lady Petra Forsyth and some of the most illustrious members of the ton descend upon Windsor Castle for a week of royal celebrations, with the highlight being Queen Charlotte’s inaugural patisserie contest for the best bakers employed by England’s finest houses. Not only is Lady Petra’s own cook one of the contestants, but Her Majesty has requested that Petra herself serve as one of the judges.
Petra’s happiness at tasting delicious cakes and biscuits only increases at finding her beloved Aunt Ophelia in attendance at Windsor, as well as Sir Rufus Pomeroy. As England’s most famous former royal chef-turned-cookbook author, Sir Rufus is slated to present his best recipes to the Queen during the festivities, with Petra being granted an early viewing in the royal library.
Yet upon arrival, Petra instead encounters a frantic housemaid pointing to a body of one of Her Majesty’s guests—and to the valet still tugging at the silk ribbon used to strangle the victim. What’s more, the valet turns out to be Oliver Beecham, the ne’er-do-well brother of Petra’s own lady’s maid, Annie. But as Oliver is hauled away to the dungeons, he protests his innocence, claiming the late guest argued with several aristocrats, including the Prince Regent and Petra’s Aunt Ophelia, and boasted about hiding a potentially scandalous document within the vastness of Windsor Castle.
When some poisoned tea meant for Petra is consumed by one of her fellow judges, it’s clear the real killer is still walking the castle’s halls. Indeed, in order to prove the innocence of Annie’s brother and find the incriminating document, Petra will need to act like a lady, eat like a chef, and think like one of Her Majesty’s best spies before a murderer can turn the celebrations from sweet to royally deadly.
THE LOST BOOK OF ELIZABETH BARTON by Jennifer N. Brown
9781250383594 | 4/14/26

Historian Alison Sage has made a groundbreaking archival discovery—she found a manuscript containing the prophecies of a 16th century nun, Elizabeth Barton. Barton’s prophecy condemning Henry VIII and Anne Boleyn led to her execution and the destruction of all copies of her prophecies—or so the world believed.
With Alison’s discovery, she is catapulted to academic superstardom and scores an invitation to the exclusive Codex Consortium, a week of research among a select handful of fellow historians at a crumbling manor in England, located next to the ruins of the priory where Elizabeth herself once lived.
What begins as a promising conference turns into a nightmare as the eerie house becomes the site of a murder. Suddenly, everyone is a suspect, and it seems that answers lie at the root of a local legend about centuries-old hidden treasure. Alison’s research makes her best-suited to solve the mystery—but when old feelings resurface for a former colleague, and the stakes of the search skyrocket, everyone’s motives become murky.
Alison’s cutthroat world of academia is almost as dangerous as Elizabeth Barton’s sixteenth-century England, where heretics are beheaded, visions can kill, and knowing who to trust is a deadly art. THE LAST BOOK OF ELIZABETH BARTON is a thrilling novel, crackling with the voices of the past and propelled by a mystery that will leave readers in suspense until the very last page.
MASS MOTHERING by Sarah Bruni
9781250392619 | 2/3/26

A. is an amateur translator, living alone in an unforgiving, late-capitalist metropolis. Adrift and burdened by debt following a medical trauma, she makes rent caring for a young boy who is not and could never be her own. Her nights are spent on the dance floor, chasing spontaneous connection. There, she encounters N., who shares her numbed state and sometimes her bed.
Among N.’s meager possessions, A. comes across a slim book about an unnamed foreign town of disappearing boys. The book, Field Notes, documents the stories of a community of mothers who assemble to mourn their missing sons together. A. is transfixed by this collective chorus of primal grief, the mothers’ preternatural strength, and their intuitive care for one another. When a near-assault stuns A. out of her inertia, she takes off for the city where Field Notes was written in search of its author and the end of his story. But A.’s digging leads her instead to the traces of a murdered poet, a mysterious woman whose legacy will intersect unexpectedly and pivotally with A.’s own life.
Poignant and profoundly humane, MASS MOTHERING is told through layered voices, written fragments, and recorded testimonies. It is a luminous story of the mutuality of grief, the aftershocks of violence in a globalized era, and the world-bending force of a mother’s love.
