Hello e-galley readers! Check out some of the exciting e-galleys that were recently added to Edelweiss for your downloading pleasure:
What happens when the church trades faith for power, and democracy for dominion? In this searing book, Robert P. Jones names our moment for what it is: a great Backslide. White Christianity’s devotion to Donald Trump and Christian nationalism is not only a regression into authoritarian politics but a profound act of apostasy—a betrayal of the best of the Christian tradition.
Through reflections on history, his upbringing in the white evangelical South, and decades of social science research, Jones lays bare the roots of this collapse and the dangers it poses for our future. He takes us inside a faith tradition marked by an impoverished relationship to the Bible, a rejection of a genuine search for truth, and an upside-down world where empathy is considered a vice. Yet amid the wreckage, Jones finds signs of hope in efforts to remake our national holiday rituals and recover a Christianity that remains committed to democracy.
Timely and unflinching, BACKSLIDE is essential reading for anyone unwilling to surrender the soul of faith or the promise of democracy. A prophetic summons to moral responsibility, it reminds us that time is short for deciding which Christianity, and which America, will prevail.
Through reflections on history, his upbringing in the white evangelical South, and decades of social science research, Jones lays bare the roots of this collapse and the dangers it poses for our future. He takes us inside a faith tradition marked by an impoverished relationship to the Bible, a rejection of a genuine search for truth, and an upside-down world where empathy is considered a vice. Yet amid the wreckage, Jones finds signs of hope in efforts to remake our national holiday rituals and recover a Christianity that remains committed to democracy.
Timely and unflinching, BACKSLIDE is essential reading for anyone unwilling to surrender the soul of faith or the promise of democracy. A prophetic summons to moral responsibility, it reminds us that time is short for deciding which Christianity, and which America, will prevail.
Gifty is a woman adrift in the wake of her wife’s death. She’s living in stasis, unable to bring herself to enter the bedroom where Helen died after a long illness. Her therapist tells her to confront her grief, but instead she wanders the streets looking for someone from her past.
Fallen nineties pop star Isobel has done everything she can to reinvent herself. Gone is the girlish make-up and provocative manner. When she lands a job working for a middle-class family, she decides to embody the perfect nanny.
Ally has always prided herself on running a successful business and being a good parent to her two children. But when her husband announces that he is leaving them to work in Indonesia for six months, and hires Isobel without consulting her, she is left angry and struggling with her chronic illness.
The women soon become tangled in a dangerous web of obsession and infatuation. Someone is going to die, the question is: who?
Fallen nineties pop star Isobel has done everything she can to reinvent herself. Gone is the girlish make-up and provocative manner. When she lands a job working for a middle-class family, she decides to embody the perfect nanny.
Ally has always prided herself on running a successful business and being a good parent to her two children. But when her husband announces that he is leaving them to work in Indonesia for six months, and hires Isobel without consulting her, she is left angry and struggling with her chronic illness.
The women soon become tangled in a dangerous web of obsession and infatuation. Someone is going to die, the question is: who?
In Daniel Duane’s childhood, John Muir was apostle and prophet, the man who taught Californians to love nature. Duane’s family worshipped in the Muir way by backpacking, skiing, and climbing. They read the scripture, too, from Muir’s earnest essays to the memoirs of the charismatic geologist Clarence King to classic accounts of Indigenous California. Paradise, for Duane’s family, was Yosemite National Park. For Duane, though, devotional study of Yosemite meant confrontation with its nuanced, violent—and sometimes absurd—history.
In YOSEMITE FALLS, Duane tells the story of his family and the park, populated by the characters of his own life and of California past. His beloved outdoorsman father, who taught him to climb and cast a long shadow. His mother, his wife, and his daughters, who all share his passion for the outdoors. Ishi, who in 1911 was the last living member of the Yahi people, taken in as an object of study by UC Berkeley. And Muir himself, whose messy biography and Victorian worldview forced Duane into a painful apostasy about California’s “great” men and their gospel of the wild. YOSEMITE FALLS is a vital and exuberant correction to the canon, offering an idiosyncratic new history of wilderness in the Golden State, where white supremacy, cultural theft, and governmental overreach abound.
With wry humor and inimitable style, Duane has crafted a book that is both playful and moving, at once a memoir of life in the mountain west and a reckoning with the true legacies of his family’s ecological heroes.
In YOSEMITE FALLS, Duane tells the story of his family and the park, populated by the characters of his own life and of California past. His beloved outdoorsman father, who taught him to climb and cast a long shadow. His mother, his wife, and his daughters, who all share his passion for the outdoors. Ishi, who in 1911 was the last living member of the Yahi people, taken in as an object of study by UC Berkeley. And Muir himself, whose messy biography and Victorian worldview forced Duane into a painful apostasy about California’s “great” men and their gospel of the wild. YOSEMITE FALLS is a vital and exuberant correction to the canon, offering an idiosyncratic new history of wilderness in the Golden State, where white supremacy, cultural theft, and governmental overreach abound.
With wry humor and inimitable style, Duane has crafted a book that is both playful and moving, at once a memoir of life in the mountain west and a reckoning with the true legacies of his family’s ecological heroes.
Natalie knows one truth: There is no such thing as a good job.
As the clock ticks away at the workplace harassment call center, she tries to ignore the increasing pain in her jaw. She has no dental insurance. She has no skills or ambitions. She has student loans. And, minute by minute, she hears the many ways workers are not just not getting by, but actually getting hustled.
Then, at the blood bank where she sells her plasma, a mysterious flyer leads her to The Company. Natalie turns out to be the perfect candidate for their pilot program: in-house surrogate. The Company pitches it as an opportunity to help women access greater gender equity, motherhood without maternity leave. Finally, she will be adequately—generously—compensated.
For years, her every need is met: stacks of healthy meals in the refrigerator of a luxury condo, fitness coaches and nutritionists, around-the-clock healthcare. Between deliveries, she takes time off—no obligations or expectations. For the first time in her life, she is good at her job; for the first time, she feels free.
But just as she’s about to fulfill the terms of her contract, a staffing decision upends everything and drags her deep into another social experiment. There she meets new questions about her future, her freedom, her purpose, and what she can expect from the world.
Woundingly funny and deeply moving, Sarah Anderson’s FALLOW is a tender, hilarious, alarmingly real vision of a woman balancing on the knife-edge of capitalism as she comes to realize who she wants to be.
As the clock ticks away at the workplace harassment call center, she tries to ignore the increasing pain in her jaw. She has no dental insurance. She has no skills or ambitions. She has student loans. And, minute by minute, she hears the many ways workers are not just not getting by, but actually getting hustled.
Then, at the blood bank where she sells her plasma, a mysterious flyer leads her to The Company. Natalie turns out to be the perfect candidate for their pilot program: in-house surrogate. The Company pitches it as an opportunity to help women access greater gender equity, motherhood without maternity leave. Finally, she will be adequately—generously—compensated.
For years, her every need is met: stacks of healthy meals in the refrigerator of a luxury condo, fitness coaches and nutritionists, around-the-clock healthcare. Between deliveries, she takes time off—no obligations or expectations. For the first time in her life, she is good at her job; for the first time, she feels free.
But just as she’s about to fulfill the terms of her contract, a staffing decision upends everything and drags her deep into another social experiment. There she meets new questions about her future, her freedom, her purpose, and what she can expect from the world.
Woundingly funny and deeply moving, Sarah Anderson’s FALLOW is a tender, hilarious, alarmingly real vision of a woman balancing on the knife-edge of capitalism as she comes to realize who she wants to be.
Francis Fukuyama, a leading public intellectual, is well-known for his landmark, bestselling works of political philosophy and history. Here, for the first time, he charts his political and intellectual evolution across five transformative decades. We follow him from the circle of students around the conservative intellectual Allan Bloom at Cornell, into the halls of power in Washington and at the RAND Corporation, and into private conversations with world leaders from Muammar Qaddhafi to China’s powerful elite. Fukuyama touches on his family’s story, including his relatives’ internment during World War II along with other Japanese Americans. And, in surprisingly personal terms, he reflects on the experiences that led him to reevaluate his own thinking, most notably his dramatic public break with the neoconservative movement over the invasion of Iraq.
More than a conventional memoir, IN THE REALM OF THE LAST MAN is personal history as political history—the story of a life that illuminates the troubled fate of democracy and liberalism over the last fifty years. Returning to and developing the concepts that have been central to his work—recognition, thymos, trust, identity, human nature, institutions, and the Last Man—Fukuyama brings the depth and richness of personal experience and pathbreaking scholarship to illuminate the crises of the twenty-first century.
Urgent, brilliant, and essential, Fukuyama’s IN THE REALM OF THE LAST MAN reveals a major thinker grappling in real time with the convulsions of history, and looking ahead to our possible future.
More than a conventional memoir, IN THE REALM OF THE LAST MAN is personal history as political history—the story of a life that illuminates the troubled fate of democracy and liberalism over the last fifty years. Returning to and developing the concepts that have been central to his work—recognition, thymos, trust, identity, human nature, institutions, and the Last Man—Fukuyama brings the depth and richness of personal experience and pathbreaking scholarship to illuminate the crises of the twenty-first century.
Urgent, brilliant, and essential, Fukuyama’s IN THE REALM OF THE LAST MAN reveals a major thinker grappling in real time with the convulsions of history, and looking ahead to our possible future.
In 1922, Hugo Bettauer published the novel THE CITY WITHOUT JEWS, a satirical critique of Austrian antisemitism. Three years later he would be killed by an early follower of the Nazi Party. More than a decade later, in March 1938, the novel’s terrifying vision of a Vienna emptied of Jews would begin to be realized. German troops poured into the glittering city, marking the beginning of seven years of unfathomable state-sanctioned violence against the Jewish population.
A work of great power and urgency, THE CITY WITHOUT JEWS: LIFE AND DEATH IN NAZI VIENNA tells the dramatic story of these seven years as they have never been told before. Drawing on hundreds of sources, many of which have lain untouched for decades, historian Douglas Smith captures with novelistic immediacy the intertwined lives of those who experienced this age of extremes. And of all these voices, one stands out: a middle-aged nurse named Mignon Langnas, a Jewish woman who would see all her friends and family, and her entire world, disappear. The only Jew who spent the entire seven years in Nazi Vienna and left behind such a detailed record of her life, Mignon, in her letters and diaries, shows herself to be a woman of exceptional strength, compassion, and dignity, seeking to make sense of the once-vibrant city that had now turned against her.
By turns heartbreakingly intimate and dazzlingly epic, THE CITY WITHOUT JEWS tells the story of the destruction of Jewish Vienna in previously untapped breadth and detail. Even more than a work of history, it is a reminder and a warning—of the consequences of forgetting a past whose legacy refuses to die.
A work of great power and urgency, THE CITY WITHOUT JEWS: LIFE AND DEATH IN NAZI VIENNA tells the dramatic story of these seven years as they have never been told before. Drawing on hundreds of sources, many of which have lain untouched for decades, historian Douglas Smith captures with novelistic immediacy the intertwined lives of those who experienced this age of extremes. And of all these voices, one stands out: a middle-aged nurse named Mignon Langnas, a Jewish woman who would see all her friends and family, and her entire world, disappear. The only Jew who spent the entire seven years in Nazi Vienna and left behind such a detailed record of her life, Mignon, in her letters and diaries, shows herself to be a woman of exceptional strength, compassion, and dignity, seeking to make sense of the once-vibrant city that had now turned against her.
By turns heartbreakingly intimate and dazzlingly epic, THE CITY WITHOUT JEWS tells the story of the destruction of Jewish Vienna in previously untapped breadth and detail. Even more than a work of history, it is a reminder and a warning—of the consequences of forgetting a past whose legacy refuses to die.
The owner of this website has made a commitment to accessibility and inclusion, please report any problems that you encounter using the contact form on this website. This site uses the WP ADA Compliance Check plugin to enhance accessibility.
