Summer/Fall 2015 Indies Introduce Titles

The American Booksellers Association recently announced their Summer/Fall 2015 Indies Introduce selections. Chosen by panels of booksellers from across the U.S., the list honors the top upcoming debuts publishing between June and October 2015, including these Macmillan titles (which are also Publishers Weekly Best of Summer 2015 books!):

DEATH AND MR. PICKWICK by Stephen Jarvis
THREE starred reviews for Jarvis’s “astounding first novel” (Publishers Weekly, starred & boxed review) which re-creates, in loving and exhaustive detail, the writing and publication of Charles Dickens’s first novel, The Posthumous Papers of the Pickwick Club, in 1836 London. “…choice reading for fans of Michael Faber’s The Crimson Petal and the White and Dan Simmons’ Drood.” — Booklist, starred review

Three starred reviews for Pulley’s literary historical fantasy about a genius watchmaker who can “remember” the future and uses it to help a 17th century London telegraphist.
“Pulley’s electrifying debut is a triumph of speculative fiction.” — Publishers Weekly, starred & boxed review
Clever and engaging, this impressive first novel will reward both casual readers looking for a fun period adventure and those fascinated by the tension between free will and fate.” Kirkus Reviews, starred review
Addictively immersive, Pulley’s narrative is as clever and spry as the watchmaker’s creations.” Library Journal, starred review

A psychologically twisting novel about a politically-charged act of violence that echoes through a quiet Spanish town. “Set in the foothills of the Pyrenees, Urza’s debut novel is as subtle and enveloping as the txirimiri, a Basque word for ‘rain so fine that an umbrella is useless against it.’ Deceptions and past tragedies come to light, but most remarkable is how Urza thematically handles the violence lurking in an insular community. Be it a Basque town with its own language and history, a transplanted organ, or a nonnative inhabitant, everything in this tense novel revolves around the notion of an ineradicable foreignness that inexorably leads to bad blood.” Publishers Weekly, starred review

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