LOUD AND CLEAR is the first book to tell the full story of the Grateful Dead’s “Wall of Sound,” an unprecedented and since unparalleled speaker system that was as tall as a school bus is long and more than a hundred feet wide. The band’s quest for roaring yet crystal clear sound began after their formation in 1965, colliding with the ‘60s progressive social climate.
Over the next few years, the Dead’s growing crew of sound-obsessed techies and eccentric roadies took their speaker system to new technological heights. But as the Dead’s relentless, drug-fueled touring schedule met this increasingly burdensome yet sonically perfect machine, the Wall brought the band to its knees. The two years of “Wall shows” are legend among Deadheads, and this character-driven tale about human ambition, achievement, and the limits of both on a larger-than-life scale has the potential to reach a wide range of music fans and readers of cultural history.
Author Brian Anderson interviewed hundreds of people associated with the band and the construction of the Wall itself, including band members, roadies, tech wizards, fans, and many more. This fascinating inside story of one of the most legendary rock bands of all time will appeal to Deadheads, music fans, audiophiles and many more.
SHARING THE GROOVE is the untold oral history behind the unlikely rise of Phish, Dave Matthews Band, Widespread Panic, Blues Traveler, and numerous other bands that helped define the 1990s jam band scene — a scene that paved the way for modern-day cultural institutions such as the Bonnaroo Music Festival, as well as kept the Grateful Dead ethos alive. It was also a scene with its own values and its own unique interactions with fame, record labels, MTV, drugs, and success.
As a veteran music journalist, Mike Ayers has been to more than 130 Phish shows, 20 Grateful Dead shows, and countless others by the bands profiled in this book. In the mid-90s, he stumbled upon a job working backstage for Phish as a prep cook in exchange for all-access passes for the night’s show, and ended up doing this for years. Later in the decade, he dabbled in the taping scene and recorded numerous shows that are still circulated online today.
Filled with anecdotes and stories directly from the musicians, promoters, managers, roadies, producers, label executives, and fans that lived this scene, SHARING THE GROOVE is a fun, fast-paced oral history that will appeal to music lovers everywhere.
Maybe you caught a few exhilarating seconds of “Teen Age Riot” on a nearby college radio station while scanning the FM dial in your parents’ car. Maybe your friend invited you to a shabby local rock club and you ended up having a religious experience with Neutral Milk Hotel. Perhaps you were scandalized and tantalized upon sneaking Liz Phair’s Exile in Guyville from an older sibling’s CD collection, or you vowed to download every Radiohead song you could find on Limewire because they were the favorite band of the guy you had a major crush on.
However you found your way into indie rock, once you were a listener, it felt like being part of a secret club of people who had discovered something special, something superior. In SUCH GREAT HEIGHTS, music journalist Chris DeVille brilliantly captures this cultural moment, from the early aughts and the height of indie rock, until the 2010s as streaming rocks the industry and changes music forever. DeVille covers the gamut of bands and in the vein of Chuck Klosterman’s The Nineties, touches on staggering pop culture moments like sharing music recommendations via AOL Instant Messenger and the life-changing OC soundtrack. Nerdy, fun, and a time machine for millennials, SUCH GREAT HEIGHTS is about how subculture becomes pop culture, how capitalism consumes what’s “cool,” about who gets to define what’s hip and how, and how an “underground” genre shaped our lives.
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